{"id":2347,"date":"2016-09-29T15:49:40","date_gmt":"2016-09-29T14:49:40","guid":{"rendered":"https:\/\/charisma.local\/charisma2023\/char1smaSSL\/?post_type=markets&p=2347"},"modified":"2025-09-27T23:46:26","modified_gmt":"2025-09-27T22:46:26","slug":"markets-and-the-arts-of-attachment-in-press","status":"publish","type":"markets","link":"https:\/\/www.journalofculturaleconomy.org\/charisma\/markets\/markets-and-the-arts-of-attachment-in-press","title":{"rendered":"Markets and the Arts of Attachment IN PRESS"},"content":{"rendered":"

\"apple<\/a>To be published by Routledge, April 2017<\/p>\n

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Introduction: Markets and the Arts of Attachment<\/p>\n

\u00a0<\/b>Liz McFall, Joe Deville, Franck Cochoy<\/i><\/p>\n

One story sociologists and political economists tell about marketing is that it manufactures desire for things that people would not otherwise want. As Karl Marx (1980) famously explained, products get their finishing touches only in consumption. Marketing is an integral part of the distribution of action that defines production and consumption by orchestrating markets. As practiced in the wild marketing also concerns the build, design, pricing and placing of the thing itself. This means that markets and marketing are in it together and that people are in<\/i> their products from the start. In this Introduction we outline what we mean by the \u2018arts of market attachment\u2019 using the motif of the Apple Watch before introducing how our various contributors make sense of the arts and devices of markets.<\/p>\n

see here<\/a> to read the rest of the introduction<\/p>\n

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Forthcoming edited collection featuring chapters by Michel Callon, Hans Kjellberg, Tomas Ariztia, Carolyn Gerlitz, Jose Ossandon, Emmanuel Kessous, Alexandre Mallard and the editors in press … at last Read More<\/a><\/p>","protected":false},"author":2,"featured_media":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[1233,302,496,1234,33,32,344,509],"class_list":["post-2347","markets","type-markets","status-publish","hentry","category-announcements","tag-apple-watch","tag-devices","tag-franck-cochoy","tag-gabriel-tarde","tag-joe-deville","tag-liz-mcfall","tag-marketing","tag-michel-callon"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/markets\/2347","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/markets"}],"about":[{"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/types\/markets"}],"author":[{"embeddable":true,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/comments?post=2347"}],"version-history":[{"count":15,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/markets\/2347\/revisions"}],"predecessor-version":[{"id":3984,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/markets\/2347\/revisions\/3984"}],"wp:attachment":[{"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/media?parent=2347"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/categories?post=2347"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.journalofculturaleconomy.org\/charisma\/wp-json\/wp\/v2\/tags?post=2347"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}