Cultural Economy in the Kitchen - the journal podcasts

What does it mean to buy a concert ticket in an age of algorithms and platforms? In this episode of Cultural Economy in the Kitchen Philip Roscoe and Addie McGowan explore the hidden architectures of the concert economy with Dr Victor Pires and Dr Loïc Riom. Victor unpacks Ticketmaster’s dynamic pricing as a powerful market device, where algorithms shape demand, organise time, and offer a platinum take on the age-old ploy of scalping. Loïc turns to Sofar Sounds, showing how secret concerts and the promise of “exposure” try to remake what it means to perform and be paid. Together, they reveal how platforms do far more than sell tickets or organise gigs. They actively compose the economic reality of live music, redistributing risk, value, and possibility across artists, audiences, and intermediaries. Yet their real play may not be the business of music at all. Cultural Economy in the Kitchen, the academic journal podcast from the Journal of Cultural Economy editorial collective.

What happens to trust when it goes digital? Could mistrust be more important? In this episode of Cultural Economy in the Kitchen, Philip Roscoe and Addie McGowan are joined by Kristoffer Albris, James Maguire, and Matt Spencer to explore the strange, shifting world of digital (mis)trust. From platforms and crypto to cyber security certification, mistrust emerges not as a failure but as a force that shapes systems, infrastructures, and decisions. Along the way: stories that undermine expertise, certificates no one quite believes, and the surprising idea that security might depend less on control than on care. In a digital world of scams, AI, and uncertainty, what does it mean to trust at all - and how does mistrust help that happen? The academic journal podcast from the Journal of Cultural Economy editorial collective.

From student loans to buy-now-pay-later, we are always already indebted. Debt has become an engine of everyday life, reshaping how we study, shop, work, and imagine our futures. In this episode of Cultural Economy in the Kitchen, Philip Roscoe and Addie McGowan ask what it means to live in a world where indebtedness has become a permanent condition. Addie and Philip explore the cultural economies of debt with Tamar Nir, Jessa Loomis, and Daniel Cockayne. Tamar reveals how student loans entangle individuals in state‑designed market relations, reshaping obligations and responsibilities. Jessa and Daniel unpack the rise of buy‑now‑pay‑later platforms, showing how fintech, social media, and gendered consumption cultures deepen everyday reliance on borrowing. Together, the guests reveal how debt structures social life, from higher education to household spending, in a world where it is no longer an exception but the norm. The academic journal podcast from the Journal of Cultural Economy editorial collective.

Music hasn’t escaped the grip of capital. In this episode of Cultural Economy in the Kitchen, Philip Roscoe and Addie McGowan unpack the collision of sound and finance with guests Paul Rekret and Elizabeth (Betsy) Carter. Paul takes us back to the glossy excess of late‑90s Bad Boy Records, where hip‑hop’s “sensuous abstraction” of wealth mirrored the industry’s own slide into financialised logic, weaving wealth into sound itself through aggressive sampling and a new “player” aesthetic. Thirty years later, musicians are broke. Betsy uncovers the brutal economics of today’s streaming era, where platforms chase data, labels hoard catalogues, and musicians scrape by. Listen as the conversation exposes a music economy that is both dazzling and extractive.

What do ghosts, empires, and financial capital have in common? In this episode of Cultural Economy in the Kitchen, Philip Roscoe and Addie McGowan speak with Clea Bourne, Paul Gilbert, and Eleanor Newbigin to explore how colonial legacies haunt contemporary financial systems and cultural policy. Clea and Paul unpack the “ghostly infrastructures” underpinning global finance, revealing how willed forgetfulness obscures the colonial histories embedded in today’s markets. Eleanor then turns to UK–India cultural and creative industries, showing how development narratives, soft power, and neoliberal agendas continue to reproduce hierarchy and extractive logics. Together, the conversation confronts the lingering spectres shaping political and economic life today.